Check out Howlin’ at the Moon by Concord America

https://play.google.com/music/m/T5h5hhepjzv4adublnaf5zzzv4e?t=Howlin_at_the_Moon_-_Concord_America

Available onGoogle play music app or Spotify

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I’m gonna turn you on to some great garage punk chaos over the next few weeks.
We’re starting out with a brutal bash of noisy goodness by Concord America.  Never heard of them?  Me neither… Until last night.
And, man, they’re good.
Scuzzy, dirty, fucking rock and roll. Almost every cut on this record is  great. Stream it on Google play or Spotify.

Modern/Retro Guilt: Beck-Style

Beck’s new album Modern Guilt, produced with Brian “Danger Mouse” Burton, will be released July 8, 2008.

The new album contains 10 new songs, and with the exception of last year’s Grammy-nominated, digital-only single “Timebomb”, Modern Guilt is the first new material Beck has written since the prolific stretch that produced 2005’s platinum Guero and 2006’s universally acclaimed The Information.

Modern Guilt is a tightly assembled group of songs that range in lyrical tone from introspection and social commentary to off the cuff wordplay and lighthearted humor. Musically, the album’s ten tracks vacillate between economy and experimentation, hybrid and pop classicism, while consistently manifesting Beck and Danger Mouse’s shared interest in psych-rock, folk, electronic minimalism and orchestration.

Beck is about to embark on a tour of the UK and Europe, followed by a number of US headline and festival appearances, culminating in Beck’s biggest hometown headline show to date, September 20, 2008 at the Hollywood Bowl.

Review from Amazon.com

have a listen HERE

Heavy Trash – Pick It Up

The actual title of the CD and vinyl is Heavy Trash – Going Way Out With Heavy Trash [2007]


The bastard cousin to Jon Spencer’s genre-demolishing Blues Explosion, Heavy Trash features Speedball Baby’s guitar brawler and producer extraordinaire Matt Verta-Ray in a project that drinks down the best of roots, R&B and rock-a-billy. Going Way Out with Heavy Trash, the second offering from these kings of buzz saw guitars and late night incantations, was recorded in three different countries and features an international cast of musicians – Canada’s The Sadies, members of Denmark’s Tremolo Beer Gut and Powersolo, and New York City’s Simon Chardiet and Phil Hernandez. Heavy Trash is what the name implies – filthy and hard – the soundtrack to the strung-out road trip from which there can be no return.

Pick up yer trash here

Latest Jicks

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Stephen Malkmus has never made a record that covered nearly as much stylistic ground as this nor, it could be argued, has Stephen made an album until now that packed as much of an emotional (not nearly trashy enough for some) wallop. “Cold Son,” “Out of Reaches” and “We Can’t Help You” are amongst the more gorgeous, contemplative songs Malkmus has recorded, though we should stress a) there’s no shortage of dark humor scattered through RET and b) Malkmus remains a sh*t-hot guitarist (ridiculously so).

get it here

Goth Goes Away White – Bauhaus Is Dead (Undead Undead Undead)

Bauhaus may have godfathered goth at the end of the 1970s, but their combustive early dance singles like “Kick in the Eye” could give most current disco-rock trendies a smackdown. For their first studio disc in 25 years, the English quartet flit from riff-fueled social criticism to anguished balladry, often sounding more like a cross between singer Peter Murphy’s brooding solo efforts and splinter group Love and Rockets’ buzzing groove rock than the dubbed-up glampunk band that birthed both. Yet even a tastefully matured Bauhaus produce enough fractured guitar and howling melodrama to wake the undead

My gift to you…my undead readers

Product Description
It is virtually impossible to imagine the last 30 years of rock music without the influence of Bauhaus. They have inspired countless bands and have mesmerized the masses with their ability to be simultaneously sparse, dark, anthemic, and glam. With their new album, entitled Go Away White, Peter Murphy Daniel Ash, David J and Kevin Haskins have created an album as exciting and relevant as their earlier work. Echoes of Bauhaus have been heard in the work of their heirs and imitators for the past few decades and 25 years after their last studio release the band have returned with yet another undiluted glimpse into their world.